Our standard
What “museum quality” means at ArtLogia
A reproduction is only worth hanging if it moves you the way the original does. These are the standards every ArtLogia painting meets.

- 01
Artist-grade oil paint
Professional oils with high pigment load, so colours stay rich and stable for generations — no acrylic shortcuts, no printed underlay.
- 02
Primed cotton canvas
Tightly woven cotton canvas, primed with several coats of gesso so the paint sits beautifully and the surface stays flexible.
- 03
Painted in layers
Like the old masters, our artists build each painting from an underpainting through mid-tones to final glazes and highlights.
- 04
Real brushwork
Impasto where the original is thick, smooth glazes where it is polished. You can feel every stroke with your fingertips.
- 05
Specialist artists
A Renaissance portrait and a Van Gogh need different hands. Each order goes to a painter who specialises in that period.
- 06
Protective varnish
Once fully dry, each painting receives a clear varnish that protects against dust and UV and deepens the colours.
- 07
Quality check
Every finished canvas is compared side by side with the original's reference before it is packed.
- 08
Ready to hang
Stretched paintings arrive on solid wooden bars, and framed paintings come with fixings — straight onto your wall.
Hand-painted vs printed
ArtLogia hand-painted
- Real oil paint and visible brushstrokes
- Depth and texture that catch the light
- Unique — no two are exactly alike
- Lasts for generations
Canvas print
- Ink sprayed on a flat surface
- Colours can fade in sunlight
- Mass-produced
- Looks flat up close