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Painting Analysis · Leonardo da Vinci · High Renaissance

The Virgin and Child with Saint Anne

Leonardo's tender family of three generations, worked on for fifteen years

· 2 min read · Original: Musée du Louvre, Paris

The Virgin and Child with Saint Anne by Leonardo da Vinci (1511), hand-painted oil painting reproduction on canvas
The Virgin and Child with Saint Anne, Leonardo da Vinci, 1511. Original: Musée du Louvre, Paris.

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The Virgin Mary sits on her mother's lap and reaches for the infant Jesus, who is playing with a lamb, while Saint Anne smiles above them before a misty mountain landscape. Leonardo da Vinci worked on this painting from around 1503 until his death in 1519.

In this article
  1. 01A painting of a lifetime
  2. 02A pyramid of figures
  3. 03Two smiles
  4. 04The child and the lamb
  5. 05The landscape and the ground
  6. 06A delicate restoration
  7. 07Seeing the painting

A painting of a lifetime

Around 1500, Leonardo da Vinci began exploring a new subject: Saint Anne, the mother of the Virgin Mary, with her daughter and the infant Christ. He made a large drawing, the Burlington House Cartoon now in the National Gallery in London, and a cartoon exhibited in Florence in 1501, which crowds came to admire. The painting itself was begun around 1503 and occupied him, on and off, for the rest of his life. It was still in his studio in France when he died in 1519.

The result is one of the most harmonious and moving works of the Renaissance, and one of the last masterpieces of Leonardo's career.

A pyramid of figures

The three figures form a single pyramid, with Saint Anne at the top. Mary sits on her mother's lap, leaning forward towards her son, who has climbed down to play with a lamb. The bodies are interlocked so closely that they seem to flow into each other, a composition of great complexity that appears completely natural.

Two smiles

Saint Anne looks down at her daughter with a gentle, knowing smile, the same mysterious smile found in the Mona Lisa and Saint John the Baptist. Mary's face is softer and younger, turned with tenderness towards her child. The two faces, painted with the finest sfumato, are among the most beautiful Leonardo ever painted.

Detail of The Virgin and Child with Saint Anne by Leonardo da Vinci (1511), hand-painted oil painting reproduction on canvas: Saint Anne's smileDetail 1

Saint Anne's smile

Saint Anne gazes down with a serene, enigmatic smile. Her face is modelled with soft shadows that melt into one another.

Detail of The Virgin and Child with Saint Anne by Leonardo da Vinci (1511), hand-painted oil painting reproduction on canvas: Mary's tendernessDetail 2

Mary's tenderness

The Virgin leans forward to take her son, her face full of love. Her pose is the link between her mother above and the child below.

The child and the lamb

The infant Jesus holds a lamb by the ear and turns to look at his mother. The lamb is a symbol of the Passion, Christ's future sacrifice as the Lamb of God. Mary seems to want to hold him back from his destiny, while Saint Anne, symbol of the Church, accepts it calmly.

Detail of The Virgin and Child with Saint Anne by Leonardo da Vinci (1511), hand-painted oil painting reproduction on canvas: The lamb of sacrificeDetail 3

The lamb of sacrifice

The child plays with the lamb, a symbol of his future sacrifice. The animal's wool and the child's soft skin are painted with great care.

The landscape and the ground

Behind the figures rises a strange landscape of blue mountains and rocky peaks, dissolving into mist, painted with the atmospheric perspective Leonardo studied all his life. At the bottom, the figures stand on a rocky ground scattered with pebbles, which Leonardo painted with geological precision.

Detail of The Virgin and Child with Saint Anne by Leonardo da Vinci (1511), hand-painted oil painting reproduction on canvas: Blue mountains in the mistDetail 4

Blue mountains in the mist

The peaks fade into blue haze, a landscape that seems both real and visionary.

Detail of The Virgin and Child with Saint Anne by Leonardo da Vinci (1511), hand-painted oil painting reproduction on canvas: Bare feet and pebblesDetail 5

Bare feet and pebbles

Mary's bare feet rest on rocky ground strewn with pebbles, studied with the eye of a naturalist.

A delicate restoration

The painting was restored in 2010–2012, removing old varnishes that had turned yellow. The cleaning revealed brighter colours and the luminous blue of Mary's cloak, and was the subject of an exhibition at the Louvre in 2012. The restoration was controversial, as some experts felt it had gone too far, but it allowed visitors to see the subtlety of Leonardo's colours again.

Seeing the painting

The painting measures about 1.68 by 1.12 metres, painted in oil on a poplar panel. It is in the Musée du Louvre in Paris, in the Grande Galerie near Leonardo's other works.

The Virgin and Child with Saint Anne by Leonardo da Vinci (1511), hand-painted oil painting reproduction on canvas

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Frequently asked questions

Who is in The Virgin and Child with Saint Anne?

It shows Saint Anne, her daughter the Virgin Mary, and the infant Jesus playing with a lamb.

What does the lamb symbolise?

The lamb symbolises Christ's future sacrifice, his Passion and death.

How long did Leonardo work on it?

He worked on it from around 1503 until his death in 1519.

Where is The Virgin and Child with Saint Anne?

It is in the Musée du Louvre in Paris.

Sources and further reading

  1. Musée du Louvre, collection notes on The Virgin and Child with Saint Anne
  2. Vincent Delieuvin (ed.), La Sainte Anne, l'ultime chef-d'œuvre de Léonard de Vinci (Louvre, 2012)
  3. Frank Zöllner, Leonardo da Vinci: The Complete Paintings (2003)

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